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Description : leave a link plzz of what you made!! All sort of genres. Would be nice to hear what can you do with that ;. Description : Leave Me Alone - Part 2 is a emotional piano loop, playing the chords slightly different to Part 1.
S Doing customs and collabs! Click my profile for socials! Description : Made with a custom preset on Vital, added compression n eq I didn't cut out the low end Comment ur link fam.
Description : i just did these in literally 2 minutes. Description : made in purity kinda basic summrs goyxrd autumn weiland yeat rage hyperpop lil uzi vert carti plugg pluggnb mexikodro braxton knight rewindraps babysantana slump6s xangang. The tempo is BPM and the track is in the G minor scale. It plays a series of minor seventh chords in a descending sequence. STEP 1: Create a new clip, 2 bars long. Using the G note, draw this pattern of 5 notes per bar. Note that the 2nd bar plays the exact same pattern as in the previous track.
In the 1st bar, we just moved some of these notes around:. Just like we did in the first track, to build a minor chord add a note 3 semitones above the root note A and a note 7 semitones above the root note D , or 0, 3, 7 :. A minor seventh chord is basically a minor triad but with an additional note, one that is 10 semitones above the root note.
It follows this sequence: 0, 3, 7, In our example, we already had the G minor chord: G, A , D. To get a G minor 7 , we just need to add F. The notation 7 comes from the fact that the last note from the chord is the 7th note from the scale:. As in Episode 3 from our House Elements Course :. The tempo is BPM and the track is in the D minor scale.
It plays a simple progression of three minor 9th chords. STEP 1 — Create a new clip, 4 bars long. We start by inserting the root note of our chords, and thus, drawing the main progression. The 1st bar plays D. The 2nd bar plays A. The last two bars play C :. STEP 2 — Create the basic structure of a minor triad , by adding these notes on top of the root note:.
On top of the basic triad, add these notes, 10 semitones above the root note:. A minor 9th chord contains the same notes as a minor 7th chord 0, 3, 7, 10 , but with an additional note, 14 semitones above the root note. This note is basically the 2nd note of the scale, but one octave higher:. As in Episode 11 from our House Elements Course :.
As we covered so far minor triads, minor 7th and minor 9th chords, it is time to combine these with major chords. STEP 1 — Create a new clip, two bars long. Draw this pattern using the progression G — C — D :.
Same goes for D. STEP 3 — Duplicate these 2 bars to extend our progression to 4 bars. In the last bar, move the D minor 9 to F minor 9 :. Replace the 2x D minor 9 chords with a long D minor 9 chord , starting on the 3rd beat of the 2nd bar. Same applies for the F minor 9 :. It plays a series of three minor 7th chords, with the last chord shifting its root note halfway through the bar. This is a very subtle example, but pay attention to the last bar of this progression.
Insert the root note of each chord in every bar. In this case, the progression is C — G — F descending :. STEP 2 — Now create the minor 7th chords with these notes:. STEP 3 — Duplicate the root note of each chord 1 octave lower :. The 2nd half of the bar will play A , creating a very subtle tension just before the end of the progression:. There are plenty of ways to play them all.
We'll start, though, by diving into the most common variation. Here's how it works Let's say you want to play a C power chord -- the C5 chord. You'd start by placing your first finger on the root note, "C.
Now, we'll need our fifth, "G. Play these two strings, and mute all the others. Hear that? It's a C power chord at its most basic. As we mentioned earlier, it has the "C" sound, but doesn't swing major or minor.
It will get the job done in situations that require a power chord, but try this next. Hear the difference? Your chord sounds stronger now, because you've taken the root note and doubled it.
You can switch between these two styles of playing your C power chord, and even move this shape around the fretboard to form other power chords. Here's what we mean See how you can move that same basic shape to different locations to produce new power chords? That simplicity is part of the power chord's beauty, but it's not the only way you can choose to form such chords. As you can see, these variations differ in their placement on the fretboard. The similarity, though, is the fact that they all contain but two notes: "C" and "G.
Once your knowledge of the fretboard increases, you'll be able to find combinations like this for different power chords in different areas all around your guitar. For the last of our power chords, we'll be sticking to two fingers.
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