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Traditional professional radio programming applications are designed for traditional radio stations that Do you want to generate your own playlists and play them as if you had a radio station? The traditional RadioBOSS is the software product that provides automation capabilities for broadcasting stations, clubs, discos, casinos, shops, cinemas. A large number of features allows using it no matter where you need to play music.

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Digital Performer Upgrades. Upgrades from Performer Lite. Upgrades from AudioDesk. Virtual Instrument Upgrades. Press Releases. Digital Performer 11 Get inspired, then refine your mix — all in a singular workflow. Box added shipping costs apply. Add to cart. This product is unavailable. All features except MP3 exporting are available, including document saving.

You can also purchase at any time from the motu. When you first launch DP, simply type in your activation keycode when asked. Note : for users of previous versions, DP no longer requires the installer disc for keycode activation.

If you purchased a boxed copy of DP from a store, your keycode can be found on the keycode card in the box. If you purchased DP online, your keycode can be found in the confirmation email you received from MOTU after purchase, or you can view it by logging in to your motu. Yes, but not necessarily on the computer on which you are activating and running DP. See requirements below. VST Plugins: 1. Breslau, Germany, Feb. Software Description: 1. Magnus Choir VSTi: Magnus is a virtual instrument choral software plug-in which can be used to create natural and synthetic choirs, using a combination of synthesis and sampling.

Syntheway Strings is a virtual ensemble of strings consisting of a section conformed by violin, viola, cello and double bass. Includes sampled articulations like staccato, marcato and legato as well as bowing techniques such as pizzicato and tremolo, up to synthesized and hybrid strings.

Here, we distribute only legal software releases so you will not find the following downloads here: Syntheway Magnus Choir VSTi 1. What gear do you use? Suitable for a wide range of musical styles, be it traditional, popular or classical. Additionally, players can create different acoustic and electronic sounds.

The use of values automatically computed by a multimode filter gives a wide range of interesting tones. Attack, Sustain, Decay and Release parameters and several modulation targets. You can use this to automate parameter changes from a sequencer, or to control your synthesizers from an external MIDI control surface.

A person who plays the accordion is called an accordionist. The instrument is played by compressing or expanding the bellows while pressing buttons or keys, causing pallets to open, which allow air to flow across strips of brass or steel, called reeds. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.

The accordion is widely spread across the world. Nevertheless, in Europe and North America, some popular music acts also make use of the instrument. Additionally, the accordion is also used in cajun, zydeco, jazz music and in both solo and orchestra performances of classical music. The piano accordion is the official city instrument of San Francisco, California.

Many conservatories in Europe have classical accordion departments. The oldest name for this group of instruments is harmonika, from the Greek harmonikos, meaning harmonic, musical. Today, native versions of the name accordion are more common. These names refer to the type of accordion patented by Cyrill Demian, which concerned "automatically coupled chords on the bass side".

This squeeze box and free reed wind instrument is suitable for different musical styles, be it traditional, popular or classical. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.

Turn clockwise for a faster modulation rate. With a lower setting, the resulting modulation is subtle, while a higher depth will result in a much more extreme effect. Small rooms can be modeled as well as large spaces. Combo box to switch between the following options: - Low Pass LPF : a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.

Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels. With Akkordica you can choose from a wide selection of accordion, concertina, bandoneon, harmonica and melodica sounds, playing and feeling the traditional sounds as well as the new vast array built-in effects for the digital age.

Covering the spectrum of choirs, vocal textures and choral pads, they are combined with an advanced sampling engine and synthesizing techniques which make it a versatile instrument, full of expression capabilities. DSP engine delivers a new level of realism in digital sound creation Syntheway - Vst instruments. Loading more A highly tweakable, versatile, and inspiring solution for ambience effects, that produces a natural sounding room reverberation effect giving a true room perception, from small rooms to large caverns.

Available as plugin in VST and VST3 64 bit versions for Windows as well as in Audio Unit for macOS, these plug-ins are perfectly suited for any type of audio production when acoustic space simulation is needed from recording to post production in 64 bit platforms. Small rooms have a high percentage of early reflections the first feedback from the closest objects that can give more body to tracks.

It is also good with acoustic guitars and voices. Larger rooms presets are better with strings, or wind instruments and synthesizer pads. These presets consist of some parameters to determine apparent room size, reverberation time, distance from you to the performer, etc.

In each predefined reverb, these parameters are preset with values precisely calculated by Syntheway to create the sound field unique for the program.

Each preset has a set of parameters that allow you to change the characteristics of the acoustic environment to precisely create the effect you want and contribute to your personal sound field, allowing you to essentially 'redesign' the spaces, provided to create custom-tailored listening environments that ideally match your mood and music.

Preset Effects List: Acoustic Resonator Ambience Reverb Amphitheater Reverb Arena Reverb Auditorium Reverb Cathedral Reverb Cave Reverb Chamber Reverb Church Reverb Hall Reverb Opera Reverb Plate Reverb Psychoacoustic Cosmos Room Reverb Spatial Reverb Spring Reverb Stadium Reverb Theater Reverb Tube Driven Reverb These parameters determine the nature of the space and its properties such as its abstract geometry and determine its complexity.

It ranges 0 to 10 smallest to largest - Width: This knob adjusts the stereo separation of the wet reverb signal. It ranges 0 The resulting impulse response is effectively mono, and both Left and Right channels are identical to 10 The resulting impulse response corresponds to natural stereo width. It Ranges 0 near to 10 deepest. At times subtle, these changes can alter the timbre or quality of auditory sensations produced by the tone of a sound of reverb, from dark to bright and everywhere in between.

Overbearing high frequencies. Treble emphasis Fully clockwise rotation. Pleasantly spacious, with adequate reverberation Tuning around the center position of the knob. Weak high frequencies Fully counterclockwise rotation. Provides a warmness tone. Something brighter in character. Acoustic Resonator: A sound-wave spatial resonance enclosure, widespread.

Ambience Reverb: Large enclosure ambience sound. This effect adds a perfect match for pure synthetic sounds. Amphitheater Reverb: It focuses to recreate the reverberation of those open-air venues used for entertainment, performances, and sports.

Arena Reverb: This reverb effect simulates the acoustics of a large enclosure such as a sports arena. Auditorium Reverb: An approach to those acoustic rooms built to enable an audience to hear and watch performances. Cathedral Reverb: A highly diffuse and large reverberation with a sections of walls, piers and columns.

Cave Reverb: This effect simulates the reverberations of a cave. Chamber Reverb: Ambient natural sound of a small chamber. A smaller physical space than a hall that results in more clarity yet still provides a blend of harmonic content and dispersion of sound. Church Reverb: Smooth and clear big church.

This program recreates the acoustic environment of a big church with a high pointed dome and columns along the sides. This interior produces very long reverberation. Hall Reverb: Bright classical concert hall with strong room impression.

This is a dense hall reverb In this program, the center will appear to be deep behind the main speakers, creating an expansive large hall ambience. Orchestra and opera music are suited for this sound field.

Opera Reverb: Typical sound of a classical bright opera house. Plate Reverb: Straight and bright reverberation plate sound. Reverb emulation that utilizes transducers that send and receive a signal through a sheet of metal. Room Reverb: This reverb effect simulates the acoustics of a small room with a low ceiling and a quick decay.

The sound is very close and intimate. Spatial Reverb: It drives to a large and ethereal space. Spring Reverb: Natural, metallic spring reverb. Similar in design to the plate, however, it uses a metal spring instead of a sheet.

Stadium Reverb: It simulates a very large reverberant space with some delay. Theater Reverb: Natural sounding audience hall of a theater. Tube Driven Reverb: Tube-shaped ambient with a dark reverb. Tunnel Reverb: A tunnel shape with a closed and brassy reverberation feeling.



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